Originally, we planned on doing a show about Joss Whedon -- without Joss Whedon. We invited a scholar of his work to talk about his television and film resume, and a close friend, professor and mentor to speak on his directorial style. However, Joss was interested enough in what we're planning to join the show! So now, it's a show about Joss Whedon -- with Joss Whedon.
As we were preparing for our show on underdogs a few months ago, I kept saying that we shouldn't overlook the fact that, often, to be an underdog in the first place, you have to be really bad at the thing you're an underdog about.
The more we talked about it, the more I found myself making the case that losers and losing are fascinating.
In January 2015, when it was announced that a planned new Ghostbusters movie would feature four female leads, internet fanbros went crazy. And then, this March, when the first Ghostbusters trailer came out, the internet fanbros went crazy all over again.
When most of us think about computer hacking, we picture Julian Assange leaking government secrets or a shadowy, bad-shave crook in some former Soviet republic hoovering up credit card info from a chain store. But while folks like these do stir up all manner of trouble, a much deeper danger lies elsewhere.
There are few genres of entertainment more American than the Western. But for a genre so steeped in the iconography of our past, its accuracy in portraying historical event leaves much to be desired. Many argue that the Western is more myth than reality, and that this myth is akin to revisionist history.
There's a new entry in the long, long canon of Tarzan stories and adaptations and shows and movies and musicals and Happy Meals toys or whatever. This time around, True Blood's Alexander Skarsgård stars as the bare-chested, animal-whispering titular character. The Nose went to see "The Legend of Tarzan," and we can't help but recognize its troubles of race and unending violence in this week's news.
Earlier this year at the Golden Globes, the top TV honor, Best Television Series -- Drama, went to USA's hacker technothriller series "Mr. Robot." Last year, the trophy went to Showtime's "The Affair."
Between those two new shows, there are threepoint-of-viewcharacters, three narrators. And you can’t really trust, you can't fully believe a one of them.
Sunday is Juneteenth, a day to commemorate the end of slavery in the United States. This hour, we reflect on this history and legacy of slavery with Alika Hope and The Ray of Hope Project. We hear music and talk with members of the group who are performing at Old Sturbridge Village in Massachusetts.
America's Greatest Living Film Critic David Edelstein has called "Weiner," the new documentary about former Congressman Anthony Weiner's ill-fated 2013 run for mayor of New York City, "one of the most provocative [docs] of its kind" that he's seen.
And after 15 seasons and 555 episodes and more than 345 Billboard chart toppers, "American Idol" is done with us. Love it or hate it, the show changed the American television business, the American reality television business, the American music business. It gave us Jennifer Hudson and Kelly Clarkson and Ryan Seacrest. And it gave us Taylor Hicks and William Hung. And Ryan Seacrest. We unpack the whole thing, the good and the bad.
Don Cheadle has been playing Miles Davis for his entire career. To look back now on some of the actor's most exciting performances — as flashy porn star Buck Swope in Boogie Nights, velvet-slick con man Basher Tarr in the Ocean's trilogy, and rabble-rousing deejay Petey Greene in Talk to Me — is to recognize those same larger-than-life elements from the persona of the jazz legend and Cheadle's personal hero.
I get that it's stupid April Fools' Day, and so you can't trust anything you see on the stupid Internet. Except for the Trump quotes. The Trump quotes are just as legitimate today as they are on all the other days.
But so let me just make it clear right now that I'm totally serious when I say that on this edition of The Nose we talk about...
He wasn't bitten by a radioactive spider. He didn't originate from another planet. And yet, Batman has managed to maintain a devoted audience for nearly a century. Joining The Colin McEnroe Show, two comic experts explained Batman's enduring power in the entertainment industry, and why filmmakers continue to make adaptations of the series.
Now is a fine time for jazz trumpet fans to get lost at the movies. April will see the release of Don Cheadle's long-gestating Miles Davis biopic Miles Ahead, and this week we get the shaggy dog Born to be Blue, the story of Miles' contemporary Chet Baker. Both films are far looser and more experimental than your typical straight biopic, and concentrate almost exclusively on historic low points in their subjects' lives. And Blue even features brief appearances from Miles himself.
During his speech in Cuba, President Barack Obama described just how different this year's presidential race is from those in previous generations. "You had two Cuban Americans in the Republican Party, running against the legacy of a black man who is President, while arguing that they’re the best person to beat the Democratic nominee who will either be a woman or a Democratic Socialist," said Obama.
Just days away from the Oscars, Hollywood continues to face down questions over its lack of diversity — particularly among the nominees for its top prize. The controversy has helped prompt a viral hashtag, #OscarsSoWhite, and has led the Academy of Motion Picture Arts and Sciences to pledge to diversify in years to come.
It's Friday night and I want to go to the movies. But, I don't know how to choose from fifteen or so movies before me. I can quickly knock out a few I don't want to see, leaving me with the final gems. How to decide? I check the reviews of my favorite critics.
Not everyone feels that way.
Actor Samuel L. Jackson of "Avengers: Age of Ultron" once took issue with New York Times film critic A.O. Scott. Jackson encouraged his Twitter followers to help Scott find a new job after Scott wrote the following in his review of the movie: