Swayambhunath — also known as the Monkey Temple, for its holy, furry dwellers that swing from the rosewood trees — is one of the oldest and most sacred Buddhist sites in Nepal's Kathmandu Valley, an important pilgrimage destination for Hindus as well as Buddhists. It was also one of the worst damaged by last month's earthquake.At the site, Nepali police soldiers shovel broken bricks and sand into garbage baskets. They're much more cautious cleaning up here than at many other devastated places...
Advocates for the rights of children met in Hartford to talk about how to reduce the number of students being restrained or secluded in school. Part of the solution involves training educators on alternative ways to handle behavior problems. Roughly half of the state’s school districts have been trained in what’s called positive behavior interventions and supports, or PIBS. It’s a program designed to limit restraints and seclusions of students with disabilities. Many of these kids have autism...
More News: Music Education
The University of Hartford's Hartt School will graduate its last organ major in May. Once a robust program, Hartt made the tough decision to abandon the organ program two years ago. Alumni of the organ program will gather this weekend to say goodbye to the school's pipe organ, which has been sold to a church on Long Island.
More News: Maryland
Updated at 2:10 p.m. ETHundreds in Baltimore began a "victory rally" to celebrate a decision by the city's top prosecutor to charge six officers in connection with the death of Freddie Gray, the young black man who died from a spinal injury he sustained in police custody.The rally began at 2 p.m. in the West Baltimore neighborhood where Gray lived and was making its way to City Hall.On Friday, Marilyn J. Mosby, the state's attorney for Baltimore, laid out the charges against the officers,...
More News: Cyber Security
Health insurer Anthem failed to address the massive data breach of customers’ personal information in its announcement of quarterly results Wednesday.
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One spring afternoon, maybe 20 years ago, I found myself having lunch with some guys who were all big supporters of Connecticut Opera. They were talking about ways that the company might increase its audience and thereby stabilize its finances. Various strategies were proposed. Finally one of the guys said, “Look, if we’re really going to make any progress, we should just do ‘La Boheme’ every single season.”