Yale Repertory Theatre’s current production plays on Shakespeare to tell the story of The Beatles’ triumphant return to England from the U.S. in 1964. Except the band isn’t quite The Beatles, the language isn’t entirely Shakespeare’s, and the songs aren’t by Lennon and McCartney.
Under apartheid, trying to make an artistic political statement was difficult — artists were subject to scrutiny and even arrest. On the other hand, making a political statement was easy: All one had to do was put black and white actors on a stage together.
That's exactly what South African playwright Athol Fugard did back in 1961 with his breakout play Blood Knot. His newest play, The Shadow of the Hummingbird, is now onstage at the Long Wharf Theatre in New Haven, Conn.
In the space of a lifetime, the status of gay and lesbian people in the United States and Western Europe has been transformed. So to watch a play like "A Song at Twilight," written by Noel Coward in 1966, is to journey back in time and then wonder how far, really one has traveled.
Last fall, the New York City Opera -- what Mayor LaGuardia called "the People's Opera" -- declared bankruptcy. This is/was the opera that introduced Americans to Placido Domingo and Beverly Sills. Make what you will of the fact that the bankruptcy announcement coincided with the presentation of a new opera about Anna Nicole Smith.
This is either a problem very specific to the New York Opera, or part of a virus that has been taking down opera companies all over the U.S. and maybe all over the world. In Italy, where opera receives much more public and government support, one fourth of all major opera companies were in a version of bankruptcy as of 2008.
Music can involve us beyond the act of mere listening. At the current exhibition at The Aldrich Contemporary Art Museum in Ridgefield, you will need all five senses. Be prepared to get physical. With an eye and ear toward expanding our understanding of music and art, The Aldrich has brought together the work of five gifted contemporary artists in a series called Music, through March 9.
An opera written by a Jewish composer while in a Nazi concentration camp during World War II will be performed this weekend in Connecticut. In an egregious bit of Nazi Propaganda, the concentration camp known as Theresienstadt was falsely presented to the world as a model Jewish settlement.
Dying is easy, comedy is hard. But, why is comedy so hard, especially on the stage, and what makes something funny?
The premise for a famously funny plot could easily sound like a tragedy. An out of work actor is so desperate for employment that he dresses up like a woman and then falls in love with a beautiful co-star whom he deceives and betrays on several levels. That doesn't sound that hilarious.
It’s that time of the year when miserly Ebenezer Scrooge and sweet Tiny Tim electrify the Hartford Stage with their heart-warming story, like they have these past 15 years. But now, in honor of the theater's 50th anniversary season, the production has redesigned costumes, more special effects, and new lighting.
The holiday cheer is much needed. The multiple award-winning Hartford Stage, like its counterparts nationwide, has struggled through the tough economy.
As I drove across the East Haddam swing bridge, car tires rumbling over the open grate, it was hard to imagine that the 19th-century Goodspeed Opera House – looking like a wedding cake on the Connecticut River – was anything but a place for musical theater. Yet in addition to being a performance space, it served as a passenger terminal for a steamboat line. It was the town’s general store, post office, dentist’s office, and even a parking garage.
Thanks to a series of very fortunate events, Goodspeed's restoration in 1963, after a period of neglect, was followed by 19 productions that went on to Broadway, receiving more than a dozen Tony awards. In 2006, another fortunate event – a set of strategic business decisions – saved the Goodspeed yet again.
Last week, the principal of Trumbull High School canceled a student production of Rent scheduled for next March.
Rent is Jonathan Larson's 1994 rock musical about a group of colorful young people living and loving in a colorful wreck of a brownstone on New York's Lower East Side, when struggling young artists could afford the rent there.
Today we're talking about the afterlife of characters from classic Christmas stories. What happened, in later years, to Ralphie from "A Christmas Story" or Susan Walker from "Miracle of 34th Street" or Charlie Brown or Clara from "The Nutcracker?"
The Connecticut town of Trumbull, and especially its thespian society, has become a familiar name in the theater world, but maybe for the wrong reasons. When the high school principal decided to cancel the thespian society's production of "Rent," the story went national. It has bubbled along for weeks and as of today, we may have news about a compromise that would allow it to be staged.
Meanwhile, former Hartford Mayor Eddie Perez has been awarded not one, but two new trials. We'll have an expert here to explain how that's likely to play out.
There aren't that many jokes in the US Constitution. Either that, or there are too many, and they're all on us. Comedian Colin Quinn says most of you have never even read it. Who's gonna read something four pages long in this day and age?
When Charlie Chaplin and other silent film stars faced the challenge of carrying over their talents into "talkies," these proved to be much-anticipated events. On Friday in Bethlehem, international mask artist Larry Hunt, a local, will actually let his voice do the real talking on stage. Hunt has built a career on non-verbal storytelling, and has performed at venues around the world for over 25 years.
Last month, the New York City Opera-- what Mayor LaGuardia called "the People's Opera" -- declared bankruptcy. This is/was the opera that introduced Americans to Placido Domingo and Beverly Sills. Make what you will of the fact that the bankruptcy announcement coincided with the presentation of a new opera about Anna Nicole Smith.
Wagner's opera, "The Flying Dutchman," will get its Connecticut premiere this weekend, 170 years after the opera made its debut in Dresden, Germany. The Connecticut Lyric Opera will present Wagner's early masterpiece Friday night at Trinity-on-Main in New Britain, and Saturday night at the Middletown High School Arts Center.
We’ve become full-time fame seekers. Admit it: no matter what age, walk of life, or social standing, just being friended or liked by no one in particular makes our day. We create online personas, instantly publish, and look to find inspiration from the reality television that surrounds us. There, we can root for real cops, middle-class castaways, and cut-throat cooks.
The past and present intersect in the plays of Charles Mee. Known for taking those hefty Greek tragedies and re-imagining them for today’s audiences, his works like "Big Love" ask us—no, challenge us--to give some serious personal thought to our social responsibility as citizens.
The tenth annual Arts for Healing Festival began on Wednesday. Yale New Haven Children's Hospital created the festival to feature art, music, poetry and performances by patients and health care providers.
He's widely recognized as Alcide from HBO's 'True Blood,' but did you know Joe Manganiello is a classically-trained actor who graduated from Carnegie Mellon? Or that he inhabited the role of Stanley Kowalski from Tennessee Williams' iconic 1947 play "A Streetcar Named Desire," multiple times before landing his gig as a tall, brown-eyed lupine?
It just goes on and on. We're in New Haven today where the Yale Rep is getting ready to mount a production of "A Streetcar Named Desire," but there's already one playing in Dublin at the Gate. There probably hasn't been one year in the last 50 when there wasn't a significant staging of this play.