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Earlier this month, the National Climate Assessment was released, and the results are less than stellar. The report says, “Climate change, once considered an issue for a distant future, has moved firmly into the present.” The release of the climate assessment report prompted both of our local talk shows to tackle climate change last week, from very different perspectives.

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On any given day, it's pretty easy to find all the ways in which modern media has substituted politicization for truth and/or serious reflection. Today, you could take the so-called Santa Barbara killing spree by Elliot Rodger. After the usual first round of back and forth sniping about the availability of weapons.

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Can the culture of one nation ever understand that of another? Critics say Fox's newest reality show in which 12 witless contestants believe their in a fight to the near death for the attention of England's Prince Harry. "I Wanna Marry Harry" is said to represent a new low in reality television.

Louis C.K. is now commonly acknowledged as one of the greatest comics of his generation. His celebrated FX series, Louie, started its fourth season a couple weeks ago, after a 19-month hiatus.

Louis C.K. created, writes, directs and stars in the series as a standup comic named Louie, who, like Louis C.K., is the divorced father of two young girls and shares custody with their mother. Last year, Louis C.K. also had prominent roles in two films: Woody Allen's Blue Jasmine and David O. Russell's American Hustle.

For those of us who have spent time arguing for increased ethnic and cultural diversity on television, the last seven days have felt like a fantasy fever dream.

This week, the big broadcast networks announced their schedules for the 2014-15 TV season during the industry's "upfront" presentations to advertisers. And there are 10 new series featuring non-white characters and/or show creators – numbers we haven't seen since the days when everybody was trying to clone The Cosby Show.

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We start today's show with Eric Deggans, NPR's first full-time TV critic. Eric and I have talked before about the issue of diversity in late night comedy programming and lo and behold, the very intriguing Larry Wilmore has been given his own show. So, we talk about that but Eric's main focus right now is a kind of television agrarian ritual, the unveiling of this year's crop of network shows, most of them to be harvested in the fall. A short description if you've been missing Matthew Perry, Patricia Arquette, Scott Bakula, Tea Leone and Katherine McPhee, just watch CBS.

It's not often the gods of TV hand you almost exactly what you ask for.

So it's time to praise Comedy Central for trying something different in late night, handing Stephen Colbert's time slot to the guy who plays The Daily Show's "senior black correspondent," Larry Wilmore.

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You may have forgotten Monica Lewinsky, but she has not forgotten you. She's back with a Vanity Fair interview that re-ignites the whole debate about her.

Let's get one thing straight right away: Fox's new version of 24 references all sorts of newfangled ideas about politics, espionage and terrorism — from the use of drones to kill America's enemies to efforts by hackers in the Edward Snowden mold to expose governments' illegal acts.

But the heart of Fox's slimmed-down 24: Live Another Day is the same as it's always been: a principled, misunderstood Jack Bauer letting no rule book, villain or clueless bureaucrat stop him from doing what must be done for the greater good.

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A couple of weeks ago, I was sick with the April flu, lying in bed in a New York apartment, and trying to distract myself by watching one of the film adaptations of "Nicholas Nickleby". I found myself repeatedly moved to tears, especially when anything good or kind happened. Okay, part of this was that I felt a little vulnerable, and may have over identified with poor tubercular Smike. But another part, I'm convinced, was the excitement generated by pure moral language, which you don't encounter so much in modern culture.

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Former Secretary of State Hillary Clinton spoke at the University of Connecticut last week. The speech was closed to the public, but she took questions, including one from UConn President Susan Herbst exploring the current state of journalism.

Fox has started to release images of the Simpsons from the upcoming episode "Brick Like Me," which is — get this — the 550th episode. That means you could watch a different episode of The Simpsons every day for roughly a year and a half, weekends and weekdays, before you ran out of new ones.

Netflix, buoyed by its foray into original productions such as the political drama House of Cards, said Monday it has added 2.25 million new customers and plans to raise its new-subscriptions rate by $1 or $2 a month.

The video streaming service reported first quarter earnings of $53 million, or 86 cents a share. Its share price surged by 6 percent following the announcement of earnings that compared with $2.7 million in the same period a year ago.

When I saw the first episode of BBC America's Orphan Black last year, I was convinced it was a crappy Canadian police drama.

That's because the set-up seemed like the oddest sort of crime procedural nonsense. A street urchin-style grifter sees a middle class woman who looks just like her leap in front of a commuter train, nabs her purse and climbs into her life – only to find her doppelganger is a troubled police officer with problems of her own.

The Ken Burns documentary The Address, premiering on most PBS stations Tuesday night, opens at the Greenwood School in Vermont, where students are being introduced to a longstanding tradition: studying the Gettysburg Address until they can recite it from memory in front of a large audience of students, staff and parents. If they succeed, they receive a special commemorative coin that is only given for this achievement. A first, second and third prize will be awarded — one for middle school, one for high school — for these performances.

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Our SuperGuest on today's Scramble is Jen Doll, who has three topics that she wants to discuss:

The first is the return of "Mad Men," a show in its final season and perhaps more than any other TV show, a driver of the phenomenon that utilizes the talents of many, many cultural commentators to analyze and debate the underlying themes in each episode. If you visited a site like Slate or Salon on certain Monday mornings, you might make the mistake of thinking this was a publication mainly, or entirely about, "Mad Men."

This review discusses the plotline of Mad Men, up through the end of Season 6.

Matthew Weiner's Mad Men begins its seventh season Sunday on AMC. Every season, as this outstanding period drama has made its way through the 1960s, Weiner has been increasingly insistent about the things he doesn't want critics to reveal in advance. This year, that confidentiality wish list is almost laughably long, and includes not only the year in which the story resumes, but also specifics about certain relationships — both professional and personal.

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Scientists say the papyrus that mentions a wife of Jesus is not a forgery. Stephen Colbert will take over when Letterman leaves. I'm not saying the two things are connected, but maybe our weekly culture roundtable The Nose will find a common thread.

It might seem like a small thing - the departure of Stephen Colbert from his late night role in which he depicts a strutting, preening, right-wing media star. In the last analysis, who cares who takes over the Letterman show?

Breaking news on CBS-TV's Twitter feed:

"Stephen Colbert to be next host of 'The Late Show' release coming"

Today on the Scramble, we get to spend some time with Frank Rich. Frank wears a lot of hats these days as both editor-at-large at New York Magazine and Executive Producer of VEEP on HBO. We're going to chat with him in both capacities and there is an interesting bridge between the two realms.

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The original Carl Sagan "Cosmos" was at least  partly a response to the Cold War. Its message: "We're such little specks, can we embrace our common destiny and get along?"

You could look at the movie "Noah" and the remake of "Cosmos" as two manifestations of an odd phenomenon. 

Doctors say children shouldn't log more than two hours a day of screen time, though what with phones, computers and TV most children put in much more.

But it may be that not all screens are equally evil.

Researchers from the University of Michigan found that sixth-graders who watched a lot of TV were more likely to eat junk food and drink soda than their peers who spent the same amount of time on the computer or playing video games, researchers from the University of Michigan say.

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here are the topics for the Nose today:

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Call and tell us what you're watching on TV and at the movies.

Resurrection is a new TV series with enough highway billboard promotion to fund several small countries. (Dead people are returned to their stunned families and friends.) Veep starts on HBO, taking aim at ego-oriented politics in Washington. True Detective just ended, though it can be seen on HBO Go or On Demand. (Great moody acting, but not for the squeamish. The finale episode is a little cheap in the exploitation department. Still, it was irresistible.)

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Can great television be as satisfying as great literature? On today's Nose, we'll apply that question to HBO's True Detective. 

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We have a question: Where does Adam Sandler watch the Oscars? Does he sit there with all the people who are actually up for awards, or is he home alone, with his baseball cap on backwards?

There's something exciting about a critic who challenges your perceptions in a compelling way. I love the movie American Hustle but when I read Willa Paskin's take-down of it in Slate, she really got me thinking. 

Opening nights of new incarnations of late-night TV talk shows are good, mostly, for first impressions — or, in the case of Jay Leno, sometimes a second impression. It's not fair to make strong judgments on the content alone, because a first show always is top-heavy with ideas, special guests and nervousness. But it is fair game to judge the set, the environment, the overall mood, and how well the host fits into the history of late-night television.

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We're starting out today with a segment about "Generation-Like," the media term media theorist Douglas Rushkoff uses for the generation of Millennials  who live huge chunks of their lives on social media where they subsist on a form of metered approval.  

The new guy's getting pretty good reviews.

Jimmy Fallon took over NBC's The Tonight Show on Monday night, saying he just wants "to do the best I can ... make you laugh and put a smile on your face."