The Colin McEnroe Show is working on a show all about stuffed animals: the history of being attached, or developing a sentiment towards an object that comforts; the business of building them, and the awesome stories people have about their precious squishy toys.
On a plaza outside a hotel in Culver City, Calif., four people are stalking each other with PlayStation Move controllers. The devices look a bit like microphones, with glowing orbs on top lit up in pink, yellow and blue.
Video game designer Douglas Wilson is holding a portable speaker, blasting Johann Sebastian Bach's Brandenburg Concertos.
From afar, this looks like some sort of public performance art. But it is actually a high-tech combination of tag and musical chairs, called Johann Sebastian Joust.
The past and present intersect in the plays of Charles Mee. Known for taking those hefty Greek tragedies and re-imagining them for today’s audiences, his works like "Big Love" ask us—no, challenge us--to give some serious personal thought to our social responsibility as citizens.
"This is worse than that time we did that Gilbert and Sullivan parody.” That was a Tina Fey line from 30 Rock, and it was a devastating punch at a similar show, Aaron Sorkin's "Studio 60," in which a fictional late night comedy show attempted to wow its audience with a song about itself set to the music of "A Modern Major General."
Teaching to the test. Homework in kindergarten. What price are we paying for eliminating play in school? While parents and educators want the best for kids, what is the best? What if countries with high education success rates start those kids on a diet of free play in school? We never hear about that part, but we will in this hour. Edward Miller, an expert in the value of play in child development is our guest. His data is mind altering. Don't miss this show. It's about how to develop a rich human being, from early childhood and onward.
Let me tell you about the last six days of my life. I've seen, in theaters, "Tinker Tailor Soldier Spy," "Martha Marcy May Marlene," "The Girl with the Dragon Tattoo," and, in IMAX format, "Mission Impossible -- Ghost Protocol." At the Bushnell, I saw opening night of the national tour of "Memphis." On television, I squeezed in "The Debt" with Helen Mirren. And the season opener of "Downton Abbey".
Shakespeare is back on television in a big way. You can't watch commercial TV for 45 minutes without seeing an ad for the movie "Anonymous," opening Friday and advancing the argument that Shakespeare's plays were not written by the Stratford commoner but by a British nobleman.
The debate has been raging for many decades now, and the people in the argument tend not to stay very calm about it.