Many people were surprised by the news of a new relationship between the United States and Cuba. It was especially surprising for WNPR's Morning Edition host Diane Orson. When the news broke, she was returning from Cuba, and landed back in the United States. She shares her story and we hear the music of the Sarah LeMieux Quintet, who will brings us on an imaginary visit to a Paris nightclub.
If you've ever seen a photograph from the Civil War era, there's a good chance it was created using a process known as tintype photography. These pictures are honest and organic in nature, and they're beginning to make a comeback within the modern photography world.
In his new book, Jealousy, Peter Toohey explores the lesser talked about side of the green-eyed monster. That is, he takes a look at some of the ways that jealousy can actually be good for us.
This hour, Peter joins us for a panel discussion about jealousy's impact on creativity. We take a look at how the emotion has fueled some of society's greatest books, plays, songs, and paintings -- and discuss what these works, in turn, tell us about ourselves.
For even as distinguished a venue as New Haven’s Firehouse 12, presenting the iconic, brilliant, forever bold 87-year-old alto saxophonist/composer Lee Konitz in separate shows at 8:30 and 10:00 pm on Friday, December 12, is a real coup.
Elizabeth McGovern doesn't want her role as Cora Crawley, Countess of Grantham, to overshadow her identity as a musician. But she does admit it drives people to come see her band. Sadie and the Hotheads have just released a new album, Still Waiting. They'll be at Hartford's Infinity Hall on December 14.
Originally published on Tue December 16, 2014 11:20 am
It turns out that Joni Mitchell keeps the same hours as the Morning Edition staff. She recently showed up at NPR's studio in Culver City, Calif., just before midnight to discuss Love Has Many Faces, a four-disc collection of songs dating back to the 1960s.
Casting is an underrated art. There used to be an Academy Award for it, and there probably still should be. We honor actors, but not the people who pick the perfect actor for the role, so that actor doesn't have to act quite so much.
"Downton Abbey" is immaculately cast, and the choice of Elizabeth McGovern to play Cora, the Countess of Grantham, seems especially nuanced and inspired. Cora is an American Jew, a transplant to English nobility, who wears all the status and tradition comfortably without fully buying into it. McGovern herself is a transplant, married to a British director for 22 years, long enough to slip effortlessly into Cora's skin.
For centuries, female composers have often found themselves overshadowed by their male counterparts. Take Fanny Mendelssohn Hensel, Anna Magdalena Bach, and Alma Mahler, for example. Their names don't roll off the tongue quite as easily as Felix Mendelssohn, J.S. Bach, and Gustav Mahler's do.
Originally published on Wed November 26, 2014 12:18 pm
The Internet radio service Pandora made its name by creating personalized stations using tools such as "like" and "dislike" buttons for listeners. But a deal between Pandora and a group of record labels has raised concerns that the company is favoring certain songs over others because it's paying the musicians behind those songs a smaller royalty.
When Pandora emerged a decade ago, its big selling point over traditional radio was that it created a station just for you, as the company's Eric Bieschke told NPR last year.
A rare artistic species, the great pianist/composer Fred Hersch is a true original, as independent a voice and as rugged and self-reliant an individual creating in the American grain as, say, Henry David Thoreau or Walt Whitman, Bill Evans or Thelonious Monk.
Amateur musicians have loved playing music since the word was first derived from the Latin - ‘amare’ – meaning ‘to love’. Once a month in Connecticut, a group of amateur recorder players meet to improve their technique and sight-read skills, and to enjoy the experience of making music.
Guitar gods Pat Metheny, a master maker of melody and texture, and the thunderous, Thor-like, lightning-tossing duo of Eric Johnson and Mike Stern rule supreme in the next few days in the Jazz Corridor with individual appearances ranging from Worcester, Massachusetts, to Hartford and Norfolk.