Originally, we planned on doing a show about Joss Whedon -- without Joss Whedon. We invited a scholar of his work to talk about his television and film resume, and a close friend, professor and mentor to speak on his directorial style. However, Joss was interested enough in what we're planning to join the show! So now, it's a show about Joss Whedon -- with Joss Whedon.
As we were preparing for our show on underdogs a few months ago, I kept saying that we shouldn't overlook the fact that, often, to be an underdog in the first place, you have to be really bad at the thing you're an underdog about.
The more we talked about it, the more I found myself making the case that losers and losing are fascinating.
In January 2015, when it was announced that a planned new Ghostbusters movie would feature four female leads, internet fanbros went crazy. And then, this March, when the first Ghostbusters trailer came out, the internet fanbros went crazy all over again.
When most of us think about computer hacking, we picture Julian Assange leaking government secrets or a shadowy, bad-shave crook in some former Soviet republic hoovering up credit card info from a chain store. But while folks like these do stir up all manner of trouble, a much deeper danger lies elsewhere.
There are few genres of entertainment more American than the Western. But for a genre so steeped in the iconography of our past, its accuracy in portraying historical event leaves much to be desired. Many argue that the Western is more myth than reality, and that this myth is akin to revisionist history.
There's a new entry in the long, long canon of Tarzan stories and adaptations and shows and movies and musicals and Happy Meals toys or whatever. This time around, True Blood's Alexander Skarsgård stars as the bare-chested, animal-whispering titular character. The Nose went to see "The Legend of Tarzan," and we can't help but recognize its troubles of race and unending violence in this week's news.
Earlier this year at the Golden Globes, the top TV honor, Best Television Series -- Drama, went to USA's hacker technothriller series "Mr. Robot." Last year, the trophy went to Showtime's "The Affair."
Between those two new shows, there are threepoint-of-viewcharacters, three narrators. And you can’t really trust, you can't fully believe a one of them.
Sunday is Juneteenth, a day to commemorate the end of slavery in the United States. This hour, we reflect on this history and legacy of slavery with Alika Hope and The Ray of Hope Project. We hear music and talk with members of the group who are performing at Old Sturbridge Village in Massachusetts.
America's Greatest Living Film Critic David Edelstein has called "Weiner," the new documentary about former Congressman Anthony Weiner's ill-fated 2013 run for mayor of New York City, "one of the most provocative [docs] of its kind" that he's seen.
And after 15 seasons and 555 episodes and more than 345 Billboard chart toppers, "American Idol" is done with us. Love it or hate it, the show changed the American television business, the American reality television business, the American music business. It gave us Jennifer Hudson and Kelly Clarkson and Ryan Seacrest. And it gave us Taylor Hicks and William Hung. And Ryan Seacrest. We unpack the whole thing, the good and the bad.