Nothing's sacred in We Are Miracles — but then as Sarah Silverman told Terry Gross in 2010, "there's a safety in what I do because I'm always the idiot. ... I'm always the ignoramus no matter what I talk about or what tragic event, off-color, dark scenario is evoked in my material."
Sarah Silverman is funny — sweet, bawdy, innocent, outrageous, Emmy-winning, milk-through-your-nose funny. And her new comedy special, We are Miracles, debuts tonight on HBO.
Performing in front of a live audience, the comedian takes on religion, pornography, childhood, politics and stereotypes, and no one's left standing. (No really: One punchline involves Hitler being assigned "Heil Marys" as penance.)
Silverman tells NPR's Scott Simon that she thinks good comedy comes from "some kind of childhood humiliation or darkness."
Today, on The Nose, well we can't entirely ignore the 50th anniversary of the Kennedy assassination, but the subject is so vast we can only break off one little part. We're going to focus on an essay by Adam Gopnik and published in The New Yorker a couple of weeks ago. Gopnik probes the question of exactly what changed as a result of the crime and its murky aftermath.
Shonda Rhimes says the Washington she's created for the political drama Scandal is a dark, amoral one — and "a little Shakespearean," in the way it's a place where big themes play out among powerful people who aren't afraid to make bold moves.
"In the world of the show, [our] America sees Washington as this fairy-tale-beautiful place, and everybody who works there is really helping keep that illusion alive," the series creator tells Morning Edition's Renee Montagne.
Ok, Ok, you're a super-rational public radio listener but you live in a place drenched in supernatural legend. In fact, historians like David Hall and David Hackett-Fischer have argued that the new world was imbued with notions of magic and superstition from Jumpstreet. One of the paradoxes of the Puritan migration was that even as they imported a belief system that rejected popish superstition in favor of what they saw as leaner, cleaner Calvinist faith, they somehow also brought all kinds of magical nuttiness. And, you could say it never left.
Austin Newman, 10, of Menlo Park, Calif., is not allowed to play video games during the school week. His mother, Michelle DeWolf, says she had to take that step to keep her son focused on his homework during the week.
I don't know why we love it so much when anyone in front of a live audience loses their composure and bursts out into laughter. Maybe because it shows them for what they really are - human. It's so fascinating to witness a spontaneous surrender to, well, giddiness, and because of good ol' fashioned empathy, we can't help but laugh along.
A popular video this week was a highlight reel of Stephen Colbert being unable to stay in character as a pompous, self-pleased right wing blowhard. Instead, Colbert is swept up in the hilarity of the material. One of his adorable tricks is to hide the lower half of his face behind something, allowing us to see only his laughing eyes.
Watching the movie "Captain Phillips" -- in which Tom Hanks plays a commercial freighter captain kidnapped by Somali pirates -- I had a sense of deja vu. Movies like this are becoming a type. They're about the interaction between the U.S. and people who don't like us. In "Zero Dark 30" and "Captain Phillips," a crack Seal team shows up, so much better equipped and trained than our adversaries that the whole thing feels like an overmatch.
Elizabeth Taylor and Richard Burton were the real-life star-crossed lovers of the 1960s and '70s. No relationship better merited the adjective "tempestuous," and of none was that word more often uttered.
BBC America offers a dramatized glimpse of the relationship in its movie Burton and Taylor. The film focuses not on the couple's scandalous beginnings when they met filming the 1963 movie Cleopatra, but rather on their public curtain call as a couple, the 1983 Broadway revival of Noel Coward's play Private Lives.
Standup is not an easy thing to do. You might think you're funny, but funny takes on a new definition when you're stranded on stage with just a microphone, a spotlight, and a judgmental audience. Todaywe talked comedy with Jason Zinoman, first-ever comedy critic for The New York Times. While researching the show, I watched a lot of comedy (what a job I have!) so I thought it would be fun to provide you with a sampling of a few of my favorite performers. Caution: some of these sketches may contain NSFW language so, you know, don't blast it at your desk.