This hour, we take a look at design and the impact it has on our lives. Longtime design critic and author Alice Rawsthorn joins us along with Dr. Henry Petroski of Duke University to talk about the good design that helps us, and bad design that hinders us in our daily routines.
Later, we talk to CodePink co-founder Medea Benjamin about her work as a political activist and author. Her latest book is called Drone Warfare: Killing by Remote Control.
Originally published on Fri April 11, 2014 10:30 am
April is National Poetry Month, and Code Switch is celebrating by writing about great poets of color and their poems that address issues of race, culture and ethnicity. We began the series with an invitation to our readers to help us build a collaborativepoem.
I'll be honest: I hate April Fools' Day, and I'm not a big fan of practical jokes. I hate it the way that some people hate Valentine's Day or New Year's Eve. I think merriment and foolishness should be spread across the year. That's why most of our shows, even pretty serious ones, start with a comedy sketch, because life is so much better when you think of it as a comedy.
On Wednesday, a discharge petition was introduced by House Democrats in an attempt to force a vote on immigration reform. It’s an effort that is not likely to succeed, requiring the signatures of House Republicans, who have been stalwart in their opposition of immigration legislation.
A hilariously fussy hotel manager with a taste for the high life is wrenched from his gay surroundings by the specter of war and a false murder charge. That doesn't sound terribly funny, but it's the premise for "The Grand Budapest Hotel," the latest Wes Anderson movie. Our Nose panelists all went to see it, and it will be one of our topics on this show.
The Hartford Symphony Orchestra has entered into a major partnership with the Bushnell Center for the Performing Arts. It is called a "management services contractm" and it ushers in a new era for the HSO.
Once upon a time, comic books were a niche for kids and nerds. Now they are mainstream culture. "The Avengers" is the number three all-time worldwide grossing movie.
I would like to pause, and say that I owned, as a kid, issue number one of The Avengers. I remember distinctly where I got it, and how I felt about it. I do not remember distinctly what happened to it.
Taking his seat on the stage of Hastings’ White Rock Theatre, Taek Gi Lee prayed to God. It was the final round of the Tenth Annual Hastings International Piano Concerto Competition, which was held in England earlier this month, and the 17-year-old piano virtuoso was nervous. To his right, nearly 600 sets of eyes watched him with fervor. To his left, the Royal Philharmonic Concert Orchestra -- armed with bows, mallets, reeds, and brass -- awaited their cue to begin.
Mark Oppenheimer writes about religion and a whole bunch of other things. Today, he'll be talking about the difficulty Orthodox Jewish women face in obtaining a certain form of cooperation from their husbands and how that difficulty spawned a black market in coercion and violence.
In the second season of the Netflix series, House of Cards, the protagonist Frank Underwood, played by Kevin Spacey, pulls out an old family typewriter, an Underwood of course, to write a pseudo-heartfelt letter to the President.
Frank's father gave him the typewriter saying this Underwood built an empire. Now you go build another.
Dissonant harmonies rattled the air of Hartford’s Charter Oak Cultural Center on Saturday evening as members of the Sylvanus Ensemble delivered a delightfully curated program of works by 20th- and 21st-century female composers.
In 1969, I was a high school sophomore, and I fell completely -- and embarrassingly uncritically -- for the Paul Is Dead mania. My own interest was fueled by revelations from the previous academic year. Under the spell of a young teacher named Tyler C. Tingley, I had come to see that Beatles lyrics were stuffed with symbolism and multiple meaning.
In the space of a lifetime, the status of gay and lesbian people in the United States and Western Europe has been transformed. So to watch a play like "A Song at Twilight," written by Noel Coward in 1966, is to journey back in time and then wonder how far, really one has traveled.
It's National Grammar Day, a time to take stock of the current status of the English language, and possibly get into bitter fights.
I'm old school. I'm the kind of person who will only use "not only" if I intend to follow it with "but also." That's probably a convention that died the quiet death of a feverish sloth many years ago. But I know what's right, and sometimes it feels like I'm helping to hold the language together even as it drifts into chaos.
Today on The Scramble, one of our favorite writers, A.J. Jacobs takes us deep inside the world of modern ancestry research where websites are all too happy to tell you that you're distantly related to Gwynyth Paltrow, Michael Bloomberg, Quincy Jones, and King David. Those are all actual examples of people A.J. was told are his relatives.
Somehow, kale has become trendy in the last few years, although its moment in the sun seems to be almost over. How did a thing like that happen? Would it be possible to infuse an old standby like broccoli with a similar hip panache? Broccoli is the warmest vegetable, and the coolest.
Remakes are easy. Money-makers are hard. We live in a sloshing sea of those movie remakes but it's rare for one of them to out gross the original. An exception, oddly enough, was the remake of "Clash of the Titans," which significantly outperformed its 80s predecessor.
Here's a little bit of Civil War history that seems to have started here in Connecticut. It was in this month of February in 1860 that Cassius Clay, a Kentucky planter turned anti-slavery crusader spoke in Hartford not far from where we're doing this show today. He was accompanied by a torch-bearing honor guard in capes and caps. The Hartford Courant called these young men "wide-awakes."
We're starting out today with a segment about "Generation-Like," the media term media theorist Douglas Rushkoff uses for the generation of Millennials who live huge chunks of their lives on social media where they subsist on a form of metered approval.