WNPR

celebrities

YouTube Red Originals

You remember the dress, right? In case you don't: Three years ago, a poorly-lit photograph of a dress pretty much tore the internet to pieces. Some people saw a black-and-blue dress; some people saw a white-and-gold dress. The black-and-blue-dress people couldn't understand how the white-and-gold-dress people were living their lives; the white-and-gold-dress people called the black-and-blue-dress people "fake news" (no they didn't).

Well, this week there's a new the dress. Except it's a the dress for your ears, not your eyes. It's an audio file. Some people hear the word "laurel." Some people hear the non-word "yanny." And the dispute over which word is right and which word is wrong is very important (no it isn't).

Carlos Mejia / Connecticut Public Radio

Donald Glover can do anything. He's an actor and a comedian, he's a singer and a songwriter, he's a rapper and a DJ. Mainstream audiences know him from Community and maybe the FX series he created, Atlanta. Nerdy audiences know him as the voice of Spider-Man, and they're about to know him as a young Lando Calrissian.

But Glover's music -- he sings and raps as Childish Gambino and DJs as mcDJ -- has never quite punched through into the wider popular consciousness, despite some chart success. Until this week, maybe. The new Childish Gambino video, "This Is America," which dropped last Saturday in concert with Glover's hosting Saturday Night Live, has just about 75 million views on YouTube. It is "a milestone" and "a media phenomenon," and it has finally made Glover "a superstar."

Chion Wolf / WNPR

This week's Nose tackles Kanye's bromance with President Trump. And we've got an update on monkey selfies!

Plus: Courtney Balaker's Little Pink House, which opens today at Real Art Ways in Hartford, tells the story of Kelo v. City of New London. Catherine Keener plays Susette Kelo. There's an unnamed version of Governor John Rowland. Keith Kountz makes an appearance. The movie is kind of Erin Brockovich, but on the Connecticut Shoreline in the Late '90s/Early 2000s. The Nose has seen it.

Updated at 5:34 p.m. ET

Editor's note: This story contains a graphic description of sexual assault.

A Pennsylvania jury has found Bill Cosby guilty of three counts of aggravated indecent assault, setting up the comic legend for the possibility of years of imprisonment for drugging and sexually violating a woman 14 years ago on a couch in his Cheltenham, Pa., home.

Chion Wolf / WNPR

The original Lost in Space, an Irwin Allen series that aired on CBS for three seasons in the 1960s, was a marginal ratings success with seemingly outsized cultural impact. The show is still remembered for its campy humor, its catchphrases, and its not-possibly-designed-in-any-decade-but-the-1960s robot.

Netflix's new Lost in Space, on the other hand, tells the Swiss-family-Robinson-in-space story as a relatively serious family drama with super high production values and the mostly serialized narrative that's become the custom on prestige TV. The Nose has thoughts.

Chion Wolf / WNPR

Wes Anderson is a... particular sort of filmmaker. With his typewriters and his pipe smoking. With his monochrome sets and props and costumes. With his perfectly symmetrical compositions. The one place where Anderson's tweeness is maybe softened a bit is in his old-school, stop-motion, animal-centric animated films. There was Fantastic Mr. Fox. And now there's Isle of Dogs. Dogs isn't without its own problems, though. The Nose weighs in.

Warner Bros. Ent.

Ernest Cline's novel Ready Player One is a futuristic nostalgia bomb that lovingly apes Spielbergian 1970s and '80s pop culture. Steven Spielberg's film adaptation of Ready Player One could have been a self-aware, winking paean to the current Urban Outfitters kitsch for which Spielberg's somewhat responsible. Instead -- and perhaps not surprisingly -- it's a bigger, nostalgia bombier futuristic adventure filled with more decades' worth of pop culture references even than the book is. For better or worse. The Nose has thoughts.

IFC Films

Armando Iannucci is the creator of Veep and The Thick of It and the writer and director of In the Loop. Those, you'll note, are all contemporary political satires. Iannucci's new movie, The Death of Stalin, is set in 1953 Moscow and tells a true-to-some-degree version of the story of, logically, Joseph Stalin's death. Historical period piece or no, The Death of Stalin is still utterly recognizable Iannucci: it's funny, it's filthy -- it's mostly about the incompetence of the powerful. And, at the same time, stories about Russian authoritarianism have a certain contemporary vibe too, ya know?

Hermitosis / Google Images For Reuse

There was a lot of pressure on Ava Duvernay to bring Madeleine L'Engle's 1962 classic book, A Wrinkle In Time, to the screen. This is the first $100-million movie directed by an African-American woman with a diverse cast chosen to fill the roles written for whites in 1962.

Netflix

In this week's Ridiculous Moments in Late-Stage Capitalism: Pizza Hut's new shoes -- because there are Pizza Hut shoes, apparently; they're, of course, called "Pie Tops" -- will pause live TV when your pizza delivery arrives. Amazon's Echo devices have started spontaneously laughing at people, which might really be scarier than it is funny. And, to celebrate International Women's Day, KFC is introducing the world to Colonel Sanders's wife, Mrs. Claudia Sanders.

And: Netflix's Seven Seconds is not, it turns out, the prequel to a Luke Perry vehicle, rodeo movie it sounds like. It is instead "the contrived, misery-riddled show" that you maybe won't be able to stop watching. And it is also maybe the coldest Netflix show.

John Eckman / flickr creative commons

It's The Nose's annual Academy Awards special, and this year we're doing it live at night.

The Nose has covered 15 of this year's Oscar-nominated movies. The only Best Picture nom we missed was Darkest Hour, so we're doing this show at the, uh, darkest hour of the day that we're on.

Or... something.

Chion Wolf / WNPR

Ryan Coogler's Black Panther is the eighteenth feature film entry in the Marvel Cinematic Universe. It is the sixth movie in Phase Three, and it's most directly a sequel to Captain America: Civil War, the first film of the phase.

Netflix

During last week's Super Bowl, Netflix announced the surprise release of the third installment in the already-super-unconvential Cloverfield film franchise... that night. Was it a genius, disruptive publicity stunt? Or was it an unceremonious, direct-to-streaming dumping of a subpar sequel? Or maybe it was both?

And speaking of unconventional: The official presidential portraits of Barack and Michelle Obama were unveiled this week. The likenesses are being heralded as a milestone in black portraiture. But, predictably, not everyone agrees.

Sony Pictures Classics

There are nine movies nominated for Best Picture at this year's Academy Awards. And, as of this week, The Nose has seen eight of them. We saw Get Out way back in last March. We saw Dunkirk over the summer. We went to Three Billboards Outside Ebbing, Missouri at night. And this awards season, we've gone to Greta Gerwig's Lady Bird and Steven Spielberg's The Post and Paul Thomas Anderson's Phantom Thread.

NEON Rated

I, Tonya is a big, brash, brightly-colored, quirky comedy that happens to be telling a story that's ultimately kind of super sad. It's that mixture of tones -- a cinematic style seemingly at odds with the film's content -- and its Oscar-nominated performances by Margot Robbie and Allison Janney that have earned the movie a 90% rating on Rotten Tomatoes. The Nose picks it apart.

Pages