One of America's most important — and controversial — literary figures, Amiri Baraka, died on Thursday from complications after surgery following a long illness, according to his oldest son. Baraka was 79.
Baraka co-founded the Black Arts Movement of the 1960s. His literary legacy is as complicated as the times he lived through, from his childhood — where he recalled not being allowed to enter a segregated library — to the 2001 attack on the World Trade Center. His poem about that attack, "Somebody Blew Up America," quickly became infamous.
Other exhibits on display at the Museum include "<a href="http://mmuseumm.com/exhibitions/silicon-body-part-piercing-displays">Silicon Body Part Piercing Displays</a>," "<a href="http://mmuseumm.com/exhibitions/cambodian-menu-photo-rejects">Cambodian Menu Photo Rejects</a>" and "<a href="http://mmuseumm.com/exhibitions/new-york-city-tip-jars-2">New York City Tip Jars</a>."
Imagine a museum that's only 6 square feet. It's called, simply, Museum and it's housed in an old elevator shaft in an alley near New York City's courts. It has some odd exhibits on 18 small shelves, and only about four people can fit into the space at a time.
Wandering the vast labyrinth of useless information, you might encounter some people having a debate about the last person who knew everything. This is a great, and also pretty hopeless debate, because it requires a judgment about what all the useful information in the world might have been and who was capable of knowing it.
It’s that time of the year when miserly Ebenezer Scrooge and sweet Tiny Tim electrify the Hartford Stage with their heart-warming story, like they have these past 15 years. But now, in honor of the theater's 50th anniversary season, the production has redesigned costumes, more special effects, and new lighting.
The holiday cheer is much needed. The multiple award-winning Hartford Stage, like its counterparts nationwide, has struggled through the tough economy.
As I drove across the East Haddam swing bridge, car tires rumbling over the open grate, it was hard to imagine that the 19th-century Goodspeed Opera House – looking like a wedding cake on the Connecticut River – was anything but a place for musical theater. Yet in addition to being a performance space, it served as a passenger terminal for a steamboat line. It was the town’s general store, post office, dentist’s office, and even a parking garage.
Thanks to a series of very fortunate events, Goodspeed's restoration in 1963, after a period of neglect, was followed by 19 productions that went on to Broadway, receiving more than a dozen Tony awards. In 2006, another fortunate event – a set of strategic business decisions – saved the Goodspeed yet again.
The Nose panelists explore the hidden mysteries of the Coen Brothers' new film, Inside Llewyn Davis, based on the early folk movement of 1960's Greenwich Village and one of its early pioneers, Dave Van Ronk.
It's not an easy question to answer, but it's worth a try.
The Internet’s Busiest Music Nerd drops by to share his top music picks of the year. What track (or album) have you been listening to all year long? We hear Anthony Fantano’s favorite music – will Arcade Fire, Beyonce, or Eminem make the list? No. But find out what does on Where We Live.
When someone takes our picture, we usually deliver a mile-wide grin, but there's not a smile in the room at the Phillips Collection's photography show in Washington.
The exhibit mostly consists of portraits of inner lives, taken by various photographers, and it's about the encounter between the two participants. Susan Behrends Frank curated the small show, called "Shaping aModern Identity," which is running through Jan. 12.
You loved jazz in college, but these days, do you really have time to follow it? Maybe I'm only talking about myself. The jazz scene I loved so much in my early twenties begins to recede unless I make an affirmative effort to go charging toward it. So at this time of year, every year, we consult with jazz savants and musicians and ask them about the best music they heard all year.
The perennial lament that jazz is dead had no validity in our region, the geographical Jazz Corridor between New York and Boston, in 2013. In fact, the past year abounded with many robust life signs, and a promising prognosis for a long, relatively healthy life for America’s original, perhaps most endangered, yet somehow most remarkably resilient art form.
On today's Where We Live, we could have spent the entire time just playing Duke Ellington's music. Since we didn't play any of the songs in their entirety, we're sharing the playlist below with the songs that you heard on the show.
Duke Ellington is one of the pivotal figures in jazz. He was a pianist, composer and bandleader whose impact lasted well beyond his death. Terry Teachout joins us in studio to talk about his new book, Duke: A Life of Duke Ellington. We’ll also talk to local musicians about Ellington’s musical influence on their work.
If you read magazines and live on the North half of the East Coast there is a good chance that you believe that The New Yorker is the ne plus ultra of magazine writing and if you believe that there's a good chance you run around using phrases like ne plus ultra.
With The New Yorker's Olympian status goes a certain preciousness One of the reasons there's nothing else quite like The New Yorker is The New Yorker deeply believes that to be true and communicates it to us in subtle ways.
Dave Brubeck, the jazz genius and venerable Wizard of Wilton who died a year ago this month at 91, was mad about time. Playing with time brilliantly, bending, reshaping and rewinding it, he constantly experimented with the permutations of odd-seeming, even weird time signatures, notated with funny-looking fractions like 5/4, 9/8, 7/4 and 13/4.
A Francis Bacon triptych, "Three Studies of Lucian Freud" sells for $142.4 million.
Jeff Koons work sells for $58.4 million, making it the most expensive art by a living artist to sell at auction.
Is any art really worth this much or do a few wealthy investors artificially drive up the market to divert the rest of us from the reality of overall declining sales. If art is not worth as much as certain vested interests want us to believe, how do we determine the real worth of art?
This is the Monday Scramble, the show we assemble on very short notice to challenge ourselves and keep things fresh.
Two film icons died over the weekend, Peter O'Toole and Joan Fontaine. Attention gravitated to O'Toole because of his larger than life roles and his larger than life off-screen behavior. We'll be talking about O'Toole with one of his co-stars and with a director but we didn't want to ignore Fontaine, famous for her Oscar-winning role and for her decades-long feud with her sister, Olivia DeHaviland.
Peter O'Toole, the charismatic actor who achieved instant stardom as <em>Lawrence of Arabia</em> and was nominated eight times for an Academy Award, died Saturday. He was 81.
Throughout his career, launched by <em>Lawrence of Arabia</em>, O'Toole was nominated for eight Oscars.
Credit Dennis Oulds / Getty Images
O'Toole receives an honorary Oscar at the 75th Academy Awards, presented by actress Meryl Streep, in March 2003.
Credit Kevork Djansenzian / AP
In 1983, O'Toole starred as Professor Higgins with Canadian actress Margot Kidder as Eliza Doolittle in a U.S. television production of <em>Pygmalion</em>.
O'Toole started on the stage in London. In 1960, he starred as Petruchio, with Peggy Ashcroft as Katherine, in Shakespeare's <em>The Taming of the Shrew,</em> at the Memorial Theatre in Stratford-upon-Avon, England.
<em>Lawrence of Arabia</em> was filmed in the Jordanian desert in 1961. The role of T.E. Lawrence<em> </em>would make O'Toole famous.
Actor Peter O'Toole performed on stage and on film in many leading roles, and began his acting career in the 1950s when he was serving in the navy. He died on Dec. 14 at the age of 81.
Blond, blue-eyed and wearing blazing white robes in Lawrence Of Arabia, Peter O'Toole was handsome enough — many said beautiful enough — to carry off the scene in which director David Lean simultaneously made stars of both his title character and his leading man.
Last week, the principal of Trumbull High School canceled a student production of Rent scheduled for next March.
Rent is Jonathan Larson's 1994 rock musical about a group of colorful young people living and loving in a colorful wreck of a brownstone on New York's Lower East Side, when struggling young artists could afford the rent there.
When he’s not playing professor at the Rhode Island School of Design, artist Mark Milloff sculpts, paints, and envisions gigantic pastel drawings. He also moonlights as a musician. But all things being equal, he’d rather be fishing.
Today we're talking about the afterlife of characters from classic Christmas stories. What happened, in later years, to Ralphie from "A Christmas Story" or Susan Walker from "Miracle of 34th Street" or Charlie Brown or Clara from "The Nutcracker?"
The grief and sadness of December 14, 2012 has been expressed through countless poems, songs and other works of art, including the choral work, "Solace," a simple, solemn remembrance of the victims of Newtown, written by one of America's leading poets, and set to music by a Pulitzer prize-winning composer.
I suppose you could say that today's show is about a fairly obvious truth--singing with other people feels good.
But, it's a little bit more complicated than that. When you go to a church and pick up a hymnal and sing what everybody else sings, it feels okay. And, a fairly complex set of activities takes place in your brain, and that's nice, but it pales in comparison to really singing with others.
That is, getting together with other people and rehearsing and working toward a truly successful blend of voices.
The Monkees were the first group to exhibit all or most of the qualities we now associate with the term "boy band." They were assembled through auditions. They had a set of visual styles imposed on them. They were incredibly popular with tween-aged girls. They were plagued by the accusation that there was less to them than meets the eye. That last accusation was false, by the way.