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Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

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Before I read Adelle Waldman's brilliant debut novel, The Love Affairs of Nathaniel P., I had about as much interest in reading about the hip, young literary types who've colonized Brooklyn as I do in watching Duck Dynasty, that reality show about a family of bearded Luddites who live in the Louisiana swamps. Both clans are ingrown and smug, each, in their own way, disdainful of the American mainstream.

"When the going gets tough, you don't want a criminal lawyer — you want a criminal lawyer."

The likes of you and I can't buy Google Glass yet. It's available only to the select developers and opinion-makers who have been permitted to spring $1,500 for the privilege of having the first one on the block. But I've seen a few around my San Francisco neighborhood among the young techies who commute down to the Google and Facebook campuses in WiFi-equipped shuttle buses or who pedal downtown to Zynga and Twitter on their fixies.

Country-music star Vince Gill and steel guitarist Paul Franklin have teamed up to record a new concept album called Bakersfield. Their idea is to cover hits from the 1960s and '70s by two artists who helped define the Bakersfield, Calif., country sound: Merle Haggard and the Strangers and Buck Owens and the Buckaroos. But this is no nostalgia-fest — it's a vital testament to music that retains energy and innovation.

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