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Stephen Thompson

Frightened Rabbit singer Scott Hutchison, whose bleak but often triumphantly arranged rock songs tackled depression, anxiety and self-doubt, was found dead at Port Edgar near South Queensberry, Scotland, around 8:30 p.m. local time on Thursday, Edinburgh Police confirmed in a statement provided to NPR. He was 36.

The Austin 100

Mar 1, 2018

In the middle of every March, the SXSW Music Festival fills Austin, Texas, with thousands of musicians from around the world. It's a marathon so daunting — it's a marathon and a sprint, really — that even longtime SXSW veterans need a hand winnowing the festival's countless discoveries down to digestible doses.

That's where The Austin 100 comes in. Handpicked from thousands of bands playing at this year's festival, these 100 songs highlight the best SXSW 2018 has to offer — songs from around the world, across a broad spectrum of genres, sounds and styles.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Tom Petty wrote a lot of hits during his more than 40 years making music.

(SOUNDBITE OF SONG, "AMERICAN GIRL")

TOM PETTY: (Singing) Well, she was an American girl.

(SOUNDBITE OF SONG, "REFUGEE")

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KELLY MCEVERS, HOST:

And now a goodbye to the Warped Tour.

(SOUNDBITE OF SONG, "THE ROCK SHOW")

BLINK-182: (Singing) I couldn't wait for the summer and the Warped Tour. I remember it's the first time that I saw her there.

Awards shows often mirror current events, from politically pointed acceptance speeches to winners whose subject matter feels especially relevant in the moment. The 69th Emmy Awards, held Sunday night, didn't skimp on either, as The Handmaid's Tale, Saturday Night Live and Veep posted strong — even dominant — showings over the course of the night.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

(SOUNDBITE OF PRINCE SONG, "KISS")

STEVE INSKEEP, HOST:

Kori Gardner and Jason Hammel aren't the first married couple to write songs about the challenges and celebrations inherent to lifelong love, but few focus more intently on a sense of play. Still, there's nothing naive or unrealistic about their songs: When they sing, "Love loud / Don't lose loud" in 2008's "The Re-Arranger," they're taking care to package a sweet little two-word slogan with a subtle but potent reminder that loving loudly is a job of endless maintenance.

The Newport Folk Festival has been around for more than half a century now — this is its 55th year, to be exact — and the event now routinely sells out months before its lineup is even announced. And why shouldn't it?

From its legendary beachfront locale to its celebrations of folk music's past, the Newport Folk Festival draws on more than half a century of celebrated traditions. But it's also an event in which folk's boundaries are tested: This is, after all, where Bob Dylan famously plugged in an electric guitar 49 years ago, in the process enraging the purists in the crowd.

We get a lot of mail at NPR Music, and alongside the Pokemon games we purchased for our kids even though they're entirely indistinguishable from the other Pokemon games we've purchased for our kids is a slew of smart questions about how music fits into our lives — and, this week, thoughts on what it means (and whether it's even possible) to sell out as a musician.

For weeks now, we've been compiling lists of 2013's best music — favorite albums, favorite songs, individual staff members' personal Top 10 lists and so on.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roots, et al), and achieved the kind of statesmanlike musical-ambassador status usually afforded to artists twice his age.

In the last few years, Ashley Monroe has cobbled together an impressive country-music pedigree by working alongside both upstarts (Pistol Annies with Miranda Lambert and Angaleena Presley) and longtime Nashville veterans (Vince Gill produced Monroe's solo album Like a Rose), and even collaborating with Jack White every now

Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melancholy, the track builds to an absolute gut-punch of a line — "I want you so much, but I hate your guts" — that conjures a pitch-perfect mix of gloom, desire and hostility.

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