Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

We often think of marketing as being about either awareness or persuasion. It seems impossible that Star Wars: The Force Awakens (which opens December 18) needs either one, given its astronomically high profile and the fact that curiosity alone will drive plenty of ticket sales, even for those who will take pleasure in being recreationally disappointed.

The hard numbers on Sunday night's Primetime Emmy Awards told a story that could look a little dull to the glancing eye.

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Copyright 2015 NPR. To see more, visit



[Note: Listen to the audio above to hear a conversation I had with Pop Culture Happy Hour team member Stephen Thompson about the end of the show.]

Ahead of its fall programming presentation to advertisers in the afternoon, Fox announced Monday that the 15th season of American Idol, which will begin in January 2016, will be the last.

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ANTHONY MICHAEL HALL: (As Brian Johnson) You see us as a brain, an athlete, a basket case, a princess and a criminal.


Everything old really is new again. Even aliens.

Fox announced today that The X-Files, which ran on television from 1993 until 2002 and was accompanied by feature films in 1998 and 2008, will be back as a six-episode "event series," with production beginning this summer. Creator and Executive Producer Chris Carter will be in charge once again, and yes, Mulder (David Duchovny) and Scully (Gillian Anderson) will be, too.

Community, producer Dan Harmon's increasingly self-aware sitcom, has become less and less about a band of community-college misfits and more and more about being a television show. Perhaps it's fitting that a show about being a show continues its odd life with a move from NBC to Yahoo Screen, where the first two episodes are now available.

When Downton Abbey, which wrapped up its fifth-season run on PBS Sunday night, is fun, it's so much fun. And when it's not good, it's usually talking about Mr. Bates and Anna and somebody getting murdered.

The rain that fell on Hollywood as the hours of red-carpet coverage wore on may have provided one of the evening's best visuals: actual people running around wearing plastic bags as they guided famous people out of limos, under umbrellas and to the waiting microphones of interviewers who wanted to know who made the dress, the shoes, the jewelry. It was literally the packing up and encasing of humanity to keep reality out: What could be more Oscars than that?

The nominees are in, the arguments have been had, and the ceremony is all that's left of Oscar season. (Well, and the griping over what should have won.)

A presidential election cycle looms, but one of the men most associated with covering presidential politics since the first election of George W. Bush won't be sitting in his usual spot: Comedy Central confirmed on Tuesday that Jon Stewart is stepping down later this year from his post at The Daily Show.

As longtime PCHH listeners know, Stephen Thompson hosts a Super Bowl party every year that keeps him hopping and keeps us from discussing the game in real time as we otherwise would. Therefore, we sat down Monday morning to catch up about the game, including the phenomenon of concluding you've witnessed an inexplicable play call from someone who knows much, much more about football than you do. We also talk about the Katy Perry halftime show, the surprisingly sentimental ads and lots more.

[At the top of this post, you'll find a discussion I had with Stephen Thompson, my Pop Culture Happy Hour co-panelist, about the Oscar nominations. Tomorrow's full PCHH episode more fully covers the film Selma.]

At Sunday night's Golden Globes, Tina Fey said this about the new wife of award recipient George Clooney: "Amal [Alamuddin] is a human rights lawyer who worked on the Enron case, was an advisor to Kofi Annan regarding Syria, and was selected for a three-person U.N. commission investigating rules of war violations in the Gaza Strip. So tonight, her husband is getting a Lifetime Achievement Award."

Empire comes to Fox with an interesting pedigree: It was created by Danny Strong (who's written multiple award-winning projects for HBO) and Lee Daniels, who made Precious and The Butler — both films with a sheen of prestige, but both films to which people reacted in complex ways. It stars Terrence Howard and Taraji P. Henson, who are both past Oscar nominees. The executive music producer is Timbaland, who's worked with all kinds of folks, including Jay-Z and Justin Timberlake.

It's hard to believe that not only was there no Serial six months ago, there was no Serial three months ago. The hugely popular podcast, a spinoff production of This American Life, didn't even premiere until early October, but since then, it has made its way with great speed into worlds from Sesame Street to Funny Or Die.

HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you've needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn't.

The most telling feature of the CW's new superhero drama The Flash is the casting of John Wesley Shipp as the tragically and wrongfully imprisoned father of Barry Allen (Grant Gustin), who in the opening hour becomes The Flash.

Do you fantasize about living in Hong Kong or Paris or on an Australian beach? And do you wonder whether you could fit it into your budget? And do you wonder how you would resolve petty little conflicts with your spouse or partner or roommate about being near work versus having a pool?

Bill Simmons, the ESPN commentator whose Twitter bio reads in part "Grantland boss + columnist, @30for30 co-creator, NBA Countdown co-host, BS Report host," will not be doing most of those jobs for three weeks after using the last of them — host of the podcast The BS Report — to call NFL Commissioner Roger Goodell a liar, and to dare ESPN to discipline him.

I saw Shonda Rhimes at a panel presentation at the Television Critics Association press tour this summer where she helped introduce How to Get Away with Murder, the new ABC drama she helps produce but did not create. I found her pleasantly (and a little amusingly) transparent in not loving some of the questions she was asked (including one about whether she was worried that #HTGAWM, which was printed on the promotional cookies ABC handed out, was an unwieldy hashtag), and I thought, "She is an interview for which you would want to be on your toes."

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Lifetime's new show Girlfriend Intervention is not subtle about its message. Its premise is four black women giving a makeover to a white woman on the theory that, as they put it, "Trapped inside of every white girl is a strong black woman ready to bust out."

They don't even have to say "weak white girl" or "lame white girl" or "ugly white girl" or "unfashionable white girl" or "boring white girl," because all those things are, before long, implied.

[Note: The audio above is a conversation about the Emmy Awards I had today with Stephen Thompson, my co-panelist on NPR's Pop Culture Happy Hour podcast.]

The Emmys are known for one thing more than any other, and that's repetition. Shows winning four times, actors winning three times — the most likely Emmy winner is always the guy who's already won.

Sure, some of the coverage so far has been about the fear that holding the Emmys on a Monday — and forcing the attendees to compete with weekday traffic — will create havoc. But one way or another, Seth Meyers is hosting the Emmy Awards on Monday night, and there are a few races that will be interesting to watch.

Sunday night, women gave the most memorable performance at the MTV Video Music Awards, and Stephen Thompson and I got together to chat about the provocations of Nicki Minaj, the royal Beyonce and more.

You can check out the video of all the performances for yourself, from the triple threat of Ariana Grande, Jessie J and Nicki Minaj to the 16-minute Beyonce-stravaganza that closed the show.

I personally was responsible for emotionally bullying at least two of my critic friends into attending the poolside screening of Sharknado 2 that took place at the hotel where press tour happened a couple of weeks ago. I make this confession because we must establish the basic understanding that I am merciless when it comes to attempting to con people into watching extraordinarily silly movies. In fact, I tried, when the first Sharknado was on, to goad the NPR morning news meeting into caring about it ("There's this movie tonight!