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Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

I belong to a generation of Americans for whom the idea of not only a royal wedding but a royal marriage was largely established by Charles and Diana, the Prince and Princess of Wales. Their staid ceremony and their seemingly joyless marriage (aside from the births of their children) made marrying into the royal family look less like a fantasy than like a march into oblivion — a grudgingly accepted transformation into a wealthy but hollowed-out target for photographers hoping to catch you at your worst.

Prince Harry, the sixth in line to the British throne, is marrying American actress (and former Suits star) Meghan Markle on Saturday, May 19.

Netflix is doing a volume business in comedy specials. Just since the start of 2017, they've had specials from Trevor Noah, Patton Oswalt, Ricky Gervais, Chris Rock, Dave Chappelle, Maria Bamford, Sarah Silverman, Amy Schumer, Jerry Seinfeld, and Marc Maron — and those are just the ones with the higher profiles.

Comedian Hari Kondabolu made a documentary in 2017 called The Problem With Apu. It's not very long — less than an hour. In it, he interrogates the legacy of Apu, the convenience store owner on The Simpsons voiced by Hank Azaria. Kondabolu talked to other actors and comics who longed for more South Asian representation, only to find that at the time, Apu was just about all there was. And Apu was not only voiced by a white actor, but he was doing what Azaria has acknowledged is a take on Peter Sellers doing an Indian accent in the movie The Party.

There is a fundamental audacity to Jesus Christ Superstar, which was staged as a live "concert" performance on NBC on Sunday night. First released as a concept album in 1970, the work by Andrew Lloyd Webber and Tim Rice not only imagines a very human story behind the final days in the life of Jesus, but it focuses on that story even when it involves ugliness, vanity, and conflict. It posits that Jesus felt not only frustration, but even resentment and ambivalence — not only about his faith, but about his own followers. On the one hand, it's kind of an obvious choice for Easter.

It only stands to reason that the most surprising Oscars might be followed by the least surprising Oscars.

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MARY LOUISE KELLY, HOST:

Academy Award nominations were announced today. And if you're looking for an early front-runner, you could do worse than Guillermo del Toro's romantic science fiction fantasy "The Shape Of Water." It led the way with 13 nominations including best picture.

Updated at 11:09 a.m. ET

The nominations for the 90th Academy Awards were announced Tuesday morning by a dapper, genial Andy Serkis and the always-intoxicating Tiffany Haddish.

Only a few minutes into Sunday night's Golden Globes red-carpet broadcast on E!, Debra Messing explained to host Giuliana Rancic why nearly all the women were wearing black. (The men were, too, but they always do that.) Messing explained that it was part of the Time's Up initiative, which supports women who suffer from sexual harassment and assault — and not just in Hollywood. She went on to call out the recent departure from E!

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DAVID GREENE, HOST:

OK. We're going to talk a little bit about television now. Maybe you remember a gay lawyer and a straight interior designer who made TV history. Here they are playing a party game in the 1998 pilot of their TV show.

(SOUNDBITE OF TV SHOW, "WILL AND GRACE")

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ARI SHAPIRO, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

LULU GARCIA-NAVARRO, HOST:

Early in the new ESPN documentary Mike And The Mad Dog, Robert Thompson — a designated Talking Head Expert On Pop Culture for decades — says that if you don't live in New York, there's a good chance you don't really know who Mike Francesa and Chris Russo are. But, the documentary argues persuasively, you've seen the results of their work.

The 2016 Tony Awards were fun, but undeniably a little anticlimactic. By then, it was in large part a coronation of Hamilton, a delivery mechanism for the many, many awards we all knew it would win. (And did.)

You don't need me to tell you how much more television there is than there used to be, or how many more places you can find it. You don't need me to tell you that its population of creatively ambitious and idiosyncratic shows has grown enormously, as has its population of cheaply made UCSs – Undiscovered Channel Shows, where you learn that a show is entering its third season and only then do you realize that (1) it exists and (2) your byzantine cable menu actually does get that channel (although perhaps not in HD).

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