Appropriately titled Blue Dialect, bassist/composer Mario Pavone’s fourth piano trio album flows with the fluent, articulate grace and freedom of a great, witty conversation, reveling in spontaneous, interactive musical dialogues in which everyone gets to speak his mind.
Krista Tippett must know something. After all, she's been hosting a show -- originally called Speaking of Faith and now called On Being -- for about 15 years. She talks to the wisest of the wise and the sagest of the sage, about matters of existence, transcendence, and, you know, what does it all mean? What kind of universe is this anyway?
More than 2 million Syrians have fled to Turkey, driven out by the fighting that erupted in their homeland in 2011. But none can claim an odyssey quite like that of Mohammed Faris.
As Syria's first and only cosmonaut, Mohammed Faris rocketed into orbit with two Soviet colleagues in 1987. He conducted experiments and photographed his country from space. By the time he returned to Syria, most everyone in the country knew his name.
Comedian Maria Bamford's new Netflix single-camera sitcom, "Lady Dynamite," premiered last Friday. And it's... odd. It's surreal. It's sad. It's a comedy that's very much about mental illness and loneliness and anxiety. And it's a comedy that's very much about itself too.
If you were selecting a patron saint of jazz for Hartford, a strong contender for canonization would most certainly be Paul Brown, a miracle worker whose countless good works for the music and local jazz musicians over many decades brought great joy, peace and comfort to the capital city.
"The way kids speak today, I'm here to tell you." Over the course of history, every aging generation has made that complaint, and it has always turned out to be overblown. That's just as well. If the language really had been deteriorating all this time, we'd all be grunting like bears by now.
In the more than six years that it's been on the air, we've never taken The Colin McEnroe Show to the Peabody Museum before. (Crazy, right?) And: In the more than six years that it's been on the air, we've never done a Colin McEnroe Show about dinosaurs before. (Crazy! Right!?)
Flash fiction goes by many names: micro-fiction, nano-fiction, short-shorts, and with the emergence of Twitter-fiction; twiction and twisters have also entered the fray. Whatever you choose to call it one thing's for sure: these pint-sized tales often punch way above their weight.
When Boston Pops conductor Keith Lockhart asked the University of Connecticut to provide a guest narrator to read "A Visit From St. Nicholas" during a 2014 holiday concert at the school, he was expecting to get UConn's president or perhaps a distinguished professor.
If you could hop into a time machine and transport yourself forward to a 23rd-century concert hall, what music would you hear -- and what would the instruments look like? From a classroom at Yale University, WNPR explored one possible future musical timeline.
Growing up in her parents’ hip, intellectually buzzing bohemian digs -- vibrant cultural and social centers where cadres of jazz musicians, modern dancers and experimental theater artists hung out and jammed -- it’s little wonder that the extraordinary improvisational singer/songwriter Katie Bull was destined to become an artist.
It was one of those historic, passing-of-the-torch moments when the legendary Phil Woods, a monarch of the alto saxophone, took off his signature leather fisherman’s cap and, in a regally symbolic act of confirmation, placed it on the head of a worthy heir-apparent, the then 14-year-old alto prodigy, Grace Kelly.
A public meeting was held last night in New York City on whether to make the Stonewall Inn a national monument.
U.S. Congressman Jerry Nadler (D-10) told Secretary of the Interior Sally Jewell and National Parks Service Director Jonathan Jarvis that it’s important to recognize that the gay rights movement began at the Stonewall Inn in 1969.
FBI investigators were back at the Manchester home of reputed mobster Robert Gentile this week, presumably looking for a half billion dollars worth of art stolen from Boston's Isabella Stewart Gardner Museum in 1990.